2.9.-NAILED

segunda  temporada 

Mike intercepts one of Salamanca's operations. HHM's court hearing with Mesa Verde goes haywire when Chuck gets the address wrong. After the hearing, Chuck realizes that Jimmy was behind this. On the other hand, Mesa Verde goes back to Kim. Chuck presents his case against his brother to Kim but Kim doesn't want to accept that Jimmy would go this far and she defends him. Chuck is not satisfied and digs deeper into the whole story. However, Jimmy is smart enough to cover his steps.

[Wind rushing]

[Insects chirping]

[Hammering]

[La Sonora Dinamita's "Mi Cucu"
plays on radio]

- ♪ Que lindo es tu cucu ♪
- ♪ Cucu ♪

- ♪ Tan bebello tu cucu ♪
- ♪ Cucu ♪

- ♪ Redondito y suavecito ♪
- ♪ Cucu ♪

- ♪ Que lindo es tu cucu ♪
- ♪ Cucu ♪

- ♪ Cuando te pones pantalón ♪
- ♪ Cucu ♪

♪ Y te tocas por de... ♪

[Music stops]

[Insects chirping]

[Metal creaking]

[Music resumes]

- ♪ No te metas con mi cucu ♪
- ♪ Cucu ♪

- ♪ No te metas con mi cucu ♪
- ♪ Cucu ♪

♪ Yo se que tienes tu mujer ♪

[Music stops]

[Insects chirping]

[Music playing faintly in distance]

- ♪ No te metas con mi cucu ♪
- ♪ Cucu ♪

- ♪ Nunca faltan los mirones ♪
- ♪ Cucu ♪

- ♪ Como tú y los demas ♪
- ♪ Cucu ♪

- ♪ Si quieres puedes mirar ♪
- ♪ Cucu ♪

- ♪ Lo que a ti te de la ga ♪
- ♪ Cucu ♪

[Singing continues in distance]

- ♪ Te dare una cachetada ♪
- ♪ Cucu ♪

- ♪ No... ♪
- [Music stops]

[Metal creaking]

- ♪ ...cucu ♪
- ♪ Cucu ♪

- ♪ YoYoe que tienes tu mujer ♪
- ♪ Cucu ♪

[Tires screech]

♪ Cucu ♪

[Horn honking]

[Honking stops]

[Door creaks]

[Gun cocks]

[Wind rushing]

♪ ♪

[Grunts]

[Breathing heavily]

[Whirring]

[Grunting]

[Trunk creaks]

[Engine starts]

[Grunting]

♪ ♪

Synced and corrected by VitoSilans
WEB-DL fix and resync by Kk.False
<

[Breathing heavily repeatedly]

CHUCK: Okay. All set.

Thank you for your patience.

Didn't you say that the
hearing is more or less a formality?

Well, the real work's
already been done, yes.

In that case, ‭I'm
fine covering it myself.

Kevin and Paige ‭don't
need both of us there.

That may be strictly true,

but we want to send the
right message, don't we?

I'm just worried about your comfort.

I find victory laps very comforting.

[Chuckles]

[Birds chirping]

[Engine starts]

[Dog barking in distance]

[Distorted conversations]

[Breathing heavily]

[Electricity humming]

[Breathes sharply]

[Indistinct conversations]

Well-done, my friend.

[Sighing]

Good morning.

This meeting of the New
Mexico State Banking Board

is now in session.

We have Mesa Verde here with us today,

and they're
represented by Charles McGill.

Nice to have you back, Charles.

Thank you. Good to be back.

I'm here with my
colleague, Howard Hamlin.

And may I introduce Mr. Kevin Wachtell,

President and Chairman
of Mesa Verde Holdings,

and Ms. Paige Novick, Mesa
Verde Senior Counsel.

Hello and welcome.

I believe staff has
found the application

to meet the basic
requirements for approval.

That's right, isn't it?

With your permission,

Mr. Wachtell would like
to make a brief statement

in support of the application.

[Clears throat]

Mr. Commissioner,

ladies and gentlemen of the
New Mexico Banking Board,

I'm honored and grateful

to appear before you this morning.

We believe ‭that
our proposed expansion

is in the public interest
both for Arizona and our own state.

For 46 years, the men and
women of Mesa Verde Bank and Trust

have prided
ourselves on personal service

and attention to detail second to none.

Mesa Verde continues to operate

at a Tier One leverage
ratio of 11.2%, and we feel...

Uh, hold on.

Excuse me, Mr.
Wachtell. Just one moment.

[Whispering indistinctly]

What's going on?

Well, let's find out.

Uh, Mr. Commissioner, is
there something we can clarify?

Uh, yes.

Can you give us the address

of the proposed Scottsdale branch again?

Certainly.

It's 1216 Rosella Drive, Scottsdale,
Arizona, 85262.

1-2-1-6?

Okay.

Because the
application I'm looking at today

clearly gives the address as 1216.

1216... that's correct, sir.

But in the original submission,
we're seeing 1261 Rosella Drive.

- It is 1261.
- ‭1261.

I think if you double-check, you'll
see that 1216 is correct.

There seem to be ‭two
different addresses here.

Mr. Commissioner, I have a
copy of our notice of intent,

which was published in
newspapers in Arizona

and New Mexico.

It clearly states the
address is 1261 Rosella Drive.

Mr... ‭Mr. Commissioner, I-if...

1-2-6-1 Rosella Drive.

Yes, I have a copy of
the notice of intent, too,

but on the actual filing,
the address reads 1-2-1-6.

So... which is it?

Mr. Commissioner, ‭if I
may confer with my clients?

COMMISSIONER: Certainly, please.

- It's absolutely 1261.
- [Sighs]

You are mistaken,

and with all due respect, you're
muddying the waters here.

"Muddying the water"?

[Sighs] ‭Look.

Just look.

Well, ‭this is clearly an error.

It's 1261.

I know where my own damn bank is.

Uh, let's just all calm down.
I'm sure we can straighten this out.

I've got a building
remodel at 1261 Rosella.

I don't know where the hell 1216 is.

I-I don't quite underst... 1261.

- 1261.
- Is this gonna be a problem?

No, I'm sure it won't be.

Um, M-Mr. Commissioner, I apologize.

Unaccountably, there appears to be a...

discrepancy in our filing.

So the correct address the one

that appeared in the
notice of intent, the 1261?

It would seem so.

Uh, uh, uh, ‭we'd
like to request a, um,

an adjournment
[Chuckling] of just a few minutes

so that we can amend the
filing to reflect the correct address.

Well, I-I can give you
an adjournment, uh, uh,

but, uh... uh, I don't
think we can get you back in today.

If I may, when do you think
you might be able to schedule us?

I'm being told by staff

that they've already done the research
for 1216 Rosella Drive.

Our folks are going to have
to go back to square one

on the new address.

If we... we could d obin a
provisional agreement today,

to allow the... the branch to open be...

No, no. All due respect,

it's up to you folks to
submit accurate paperwork.

Maybe next time, double-check.

Now, uh, the soonest we
could revisit this matter...

well, it... it looks
like six weeks from Friday.

We... ‭We can't wait six weeks.

Mr. Commissioner, M-Mesa
Verde has put effort a a... resources

into preparing this
branch to open immediately.

However unusual, a
provisional a-approval

would be most [Chuckling]
appreciated, most welcome.

Time being of the essence...

Charles, I'm sorry. I'll
see you in six weeks.

That closes the matter for today.

Will staff please note that
Mesa Verde will return in six weeks...

[Electricity humming]

That's on the schedule now.

And we'll have expedited a.

CHUCK: This is not possible.

This is not possible!

Ohh.

CHUCK: Ohh.

1261. No. No.

- Chuck.
- ‭[Papers rustling]

I don't understand.

[Breathing heavily]

I don't understand. It was 1216.

It was. I checked!

I double-checked!

Chuck, it happened.

Now we take our licks, and we move on.

This doesn't just reflect you...

an office full of associates and
paralegals let this get by.

I did, too, for that matter.

It was 1216... I promise you.

Everyone makes mistakes.

[Breathing deeply]

This was no mistake.

[Box thumps]

[Indistinct conversations]

[Chuck Hall Band's "Good Time To
Quit You" plays in background]

[Pool balls clacking]

[Glass thumps lightly]

[Conversations continue]

I'm buying a round for the house.

- MAN: Yeah?
- ‭Yeah.

Hey! Hey, listen up, everybody!

This gentleman's buyin
a round for the house!

[All cheer]

All right, lift with your kneess.

JIMMY: What does the evev mean...
"lift with your knees"?

I don't know. It's something
sweaty people say. Here we go.

1, 2, 3.

[Both grunting]

Got it. Almost.

Almost, almost, almost, almost.

Got it? ‭AII right.

Oh, right there. Go. Go.

[Klanging]

[Breathing heavily]

You okay?

Nothin' a few years ‭of physical
therapy won't fix.

[Chuckles] ‭Okay.

All right. Push.

Slow, slow, slow, slow.

Corner, corner, corner.

[Breathing heavily]

- Yeah.
- ‭Get that one.

[Cellphone ringing]

[Sighs]
[Cellphone ringing]

Hi, Paige.

How are you?

Yeah, I mean, no.

No, it's fine.

Uh-huh.

What?

Well, yes. [Chuckles]

Of course. Right, I understand.

Okay.

Yeah, that would be perfect.

I'll see you then. Great.

And, uh, listen, Paige, thank you.

Thank you.

[Chuckles]

I, uh.

Jimmy.

What? What's up?

I, uh...

I just got Mesa Verde back.

- Seriously?
- ‭Seriously. [Chuckles]

Holy shit! That's unbelievable!

- [Laughing] Yes.
- [Laughs]

I... What happened to HHM?

Uh, Paige didn't go into it.

She just said ‭the
filing didn't go through.

We're gonna meet this afternoon.

Hey, what did I tell you?

Sometimes, the good guys win.

[Chuckles]

Oh, it sounds like ‭there's
some regulatory issues.

Kevin's still worried that one lawyer

won't be able to handle it.

You can.

Yeah, I'm gonna have to get a
paralegal, maybe two of them,

and I absolutely ‭will
pay for it out of my end.

No. Come on.
Split it down the middle.

You know what?
I need ‭a Westlaw terminal right away.

[Chucklins] I don't even
know who to call to get that done.

These are high-class problems.

Yeah, but it's a
major piece of work, Jimmy.

It's just...
It's... It's... This is major.

Hey, Kim, you've got this, all right?

- So take a moment.
- ‭[Sighs]

[Sighs] Breathe. Savor.

You know what? You're right.

[Chucklins] Damn right I'm right.

[Scoffs]

[Cellphone ringing]

It's Ernie. [Chuckles]

[Cellphone beeps]

Hi, Ernie.

What's up?

Yeah, no, Paige just called me.

Uh-huh. Did Chuck say why...

So, when...

Sure. ‭No time like the present.

- Okay. Thanks.
- [Cellphone beeps]

The Mesa Verde files...

Chuck's ready ‭to
turn thememveveto me.

Wow. [Chuckling] Really?

That was... quick.

Yeah.

Uh, I'm gonna go
change and get over there.

- You want some help? ‭
- That depends.

Are you gonna carry
boxes, or you gonna gloat?

Uh, some from column
"A," some from column "B."

JIMMY: Ground yourself.

- W... Sorry?
- [Keys jingling]

Just touch the thing.

[Doorknob rattling]

What the hell? This thing doesn't...

- Hey, Jimmy. Hey, Kim. ‭
- Hey, Ernie.

Somethin's wrong with the lock.

Mr. McGill had me call a
locksmith and change em.

[Sighs]

JIMMY: Yeah? Why'd he do that?

[Door closes]

Hey, Chuck, why'd you change the locks?

Ernesto, I think we're good.

I'm sure you're
needed back at the office.

Well... I'll get goin, then.

- Thanks.
- ‭Bye, Jimmy. Bye, Kim.

- Bye, Ernie. ‭
- JIMMY: See ya, Ernie.

So, Chuck, ‭what's
the deal with the locks?

Kim, I was hoping to have
this conversation with you

and you alone.

However... I guess it's time

to clear the air once and for all.

Clear the air about what?

He sabotaged me.

Buddy, what are you, uh...

Please.

Don't bother.

You and I both know ‭exactly
what I'm talking about.

I don't.

Yesterday morning was the
worst professional humiliation

of my life.

A single transpositional
error cost my client time and money

and permanently damaged my reputation.

But then I
realized... it wasn't an error.

Not at all. [Inhales deeply]

A week ago last night, I was
right there on that couch,

barely conscious, and Jimmy showed up.

And he sent Ernesto away.

My brother was gonna take care of me.

And in the dead of night,

he went through my Mesa Verde files.

Uh, you know what? We don't
have to listen to this.

She does! You do... for your own good.

Now, in these files are 13 documents

containing the address of Mesa
Verde's proposed branch...

1261 Rosella Drive, Scottsdale, Arizona.

Jimmy pulled each and every
one, then he left me here,

sweating and delirious, while
he went off to doctor them.

You'd need a photocopier for that.

Where'd you go... some
all-night copy shop?

[Chuckles]

With a little
careful cutting and pasting,

he created duplicates...

virtually identical to my originals,

but with one key change...

1261 Rosella Drive ‭became
1216 Rosella Drive.

This is sounding like a lot of work.

No one ever accused you of being lazy...

every other sin in the
book, but not that one.

And if you're wondering

if Jimmy's up to a
little casual forgery,

you should know in high
school, he had a thriving business

making fake I.D.s ‭so
his buddies could buy beer.

You going all the way
back to high school, huh?

[Chuckling] Hey, you and Mozart, huh?

You both started young.

[Inhales deeply]

He came back here and put his
new versions in my files.

And then, the next day,

my caring brother took his leave.

He knew that I would
use his modified documents

to write Mesa Verde's
submission to the state regulator.

And so I did, over and over...

I typed "1216" instead of "1261."

I remember
thinking, "1216 Rosella Drive...

that's just one year after 1215,

the year the Magna Carta was signed."

Jesus, Chuck, you are unbelievable.

So, you're saying, if we look in here,

all the addresses will be wrong?

Well, of course you weren't
gonna leave evidence behind.

I'm guessing yesterday
morning, you waited until I left,

then used your key to let yourself in

and return the originals.

No crime is complete
without the cover-up.

Oh, come on.

I did all this...
what... for some business?

[Sighs]

He did it for you.

[Clock ticking]

Oh, I'm sure you didn't
know anything about it.

I believe he went off on his own

and did this as some kind
of twisted romantic gesture.

Chuck, ‭I think you need to lie down

with a cold washcloth on your head.

And now that you
know, you have no choice.

This is about a client... a
client who has been defrauded.

As a sworn officer of the court,

as Mesa Verde's attorney of record,

you have no recourse but
to go to Kevin Wachtell

and make a full disclosure.

This... This whole song and dance...

it's all about getting his client back.

- That's all this is. ‭
- Not in the least.

If, knowing the truth,
they still decide to go...

You can't stand the fact that
they chose her over you.

I can't stand the fact

that my own brother stabbed
me in the back!

I can't stand the
fact that you've deceived

- and ruined this fine young woman!
- "Ruined"?

What is this... the 1840s?

What are you talking about?
She's not ruined!

Jimmy.

[Clock ticking]

If what you're saying is true,

Jimmy could be
charged with forgery, fraud,

falsifying evidence, even
breaking and entering.

Frankly, I am sick about this.

But facts are facts.

And what is your evidence?

My evidence?

My evidence is knowing my
brother for his entire life.

Chuck, I think ‭there
is another explanation...

it's a simpler one.

You made a mistake.

I did not.

You're working by lantern,

squinting over 10-point
typepe for hour after hour.

Mistakenly changing 1261 to 1216

would be the most natural
thing in the world.

It could certainly happen to me.

I did not make a mistake!

I believe you did.

Look, I understand that you have a...

a great affection for Jimmy.

A great many people do, but
please open your eyes here!

You made a mistake, and
instead of just facing up to it,

you accuse your brother
of plotting against you.

You come up ‭with
this elaborate scheme.

He's capable of this!

You know he is!

I know he's not perfect!

And I know he cuts corners.

But you're the one who
made him this way.

He idolizes you.

He accepts you.

He takes care of you.

And all he ever wanted was
your love and support,

but all you've ever done is judge him.

You never believed in him.

You never wanted him to succeed.

And you know what?

I feel sorry for him.

And I feel sorry for you.

[Vehicle passes]

[Car door creaks]

[Seatbelt clicks]

[Dog barking in distance]

[Car door creaks]

[Keys jingling]

[Seatbelt clicks]

- Jesus! What?
- ‭[Breathing heavily]

[Grunts]

Kim! What?

[Sighs]

Just drive.

[Engine starts]

[Tires screech]

[Children shouting indistinctly]

[School bell rings]

WOMAN: All right, line up by class!

Find your buddy!

Okay, kids, come on.

Let's go.

Come on. Come on.

- Plant yourself.
- All right. Here?

Yeah. Right there.

- About yea high.
- ‭[Grunting]

Aim it up at me... heroic.

Heroic? Good luck with that.

Just frame me up, all right?

Make sure you get the neck, okay?

- It's a low-angle shot.
- ‭Okay.

Hey, you know what?
Let me see.

Oh, I-it's just base.

What... am I dying of consumption?

Well, at your age, ‭you
don't want to look too red.

- It looks like rosacea.
- And what's with all the...

I'm just trying to make it look
like you have a jawline.

I do have a jawline.

You know what?

You stand in for me.

Hey, crouch down.

Okay. Move to your left.
The other left.

More. More. Okay, boom!

That's what I'm
talking about. You got it.

Oh, dude, there's got to be an
easier way to get this shot.

Not for free.

You wanna be a filmmaker, grow a pair.

Here we go. Picture's up.

All right, let's do this.

Last looks.

Rhubarb, rhubarb. 9:00.

[Indistinct conversations in distance]

Excuse me.

Hi. Are you in charge here?

Yes, I am, ‭and this
is school property.

You're just the
person I want to speak to.

It would be incredibly
helpful if you could get those kids

in that building over there to
just keep it down for a bit.

Just give 'em a worksheet or something?

I mean, just two or
three minutes, just for sound.

This is school property,

and no one is allowed
here without permission.

Of course not.

- You didn't speak to Annette?
- ‭Annette?

In the Superintendent's Office.

Do you know an Annette downtown?

I don't think so.

Well, I'm sorry about the mix-up.

[Chuckles]

We're shooting what's
called an establishing shot...

five minutes, tops.

You're not shooting anything

until I'm clear on what's going on here.

The documentary... we're
making a documentary.

That's... Oh! [Snaps fingers]

I was told here was a
display or a plaque of some kind.

Would you know where that would be?

Why would we have a plaque?

Because of who went to school here.

Who went to school here?

Rupert Holmes.

That's who the documentary is about.

I'm sorry. Who?

Rupert Holmes.

You know... Rupert
Holmes, the singer/songwriter.

You know, um... "The Piña Colada Song."

I mean, sure you do. I...

[Sighs]

♪ If you like piña coladas and
getting caught in the rain ♪

♪ If you're not into yoga
and you got half a brain ♪

♪ If you like makin'
love at midnight ♪

♪ In the dunes by the cape... ♪

See? Ru... Look at her face.

- Rupert Holmes. ‭
- He went to school here?

Yeah. Class of '64.

He still talks about it.

But the school was built in '71.

Mm. He was a student in the
old building that used to be here.

We're taking a
little... what do you call it?...

artistic liberties.

Isn't Rupert Holmes English?

Well, yeah, ‭and
that's some great trivia,

but he spent his formative
years right here in Albuquerque.

I'll tell you what... why
don't you call Annette

down in ‭the Superintendent's Office?

And we'll just stay here till
you get official word.

- Well, ‭if you don't mind waiting.
- Not at all.

We don't want to break any rules.

Shouldn't take very long, I'm sure.

And no promises,

but I'll see what I can do
about getting the kids to quiet down.

Oh. That would be super helpful.

[Birds chirping]

[Children shouting in distance]

[Door closes]

Chop-chop. Magic time.

All right, let's go.

No last looks. ‭Just
the flag... the flag.

Okay, remember... heroic.

Yeah, you're a hero.

- Big, big hero.
- ‭Gravitas.

Hey. Hey, hey, hey.

Go.

Dolly, dolly, dolly.

Nice.

[Wind rushing]

Nice.

[Coins clanking]

["Sweet Baby On My
Mind" plays in background]

[Bell dings]

[Indistinct conversations]

- Hey, Mike. ‭
- Hey, Fran.

You still serving breakfast?

For you? Sure. The usual?

Um, be great.

Okay.

[Music continues]

[Conversations continue]

- Thanks.
- ‭Mm-hmm.

Anything good in the paper?

No.

Was there ever anything
good in the paper?

[Chuckles] Not too often.

- Hey, Fran.
- ‭Yeah?

I got to ask...

Does it ever snow around here?

Sure, it does.

This is gonna be your
first winter in Albuquerque?

Yeah. I'm out from Philadelphia.

Well, it depends on the year.

Mm.

If you stay around long enough,

you'll have something to
shovel... don't you worry.

That suits me.

I live up in Cedar Crest.

We get plenty.

You can shovel my drive if
you're looking for more.

Just say the word.

Yeah, well... [Chuckles]

Miss. Check, please?

[Bell dings]

[Chuckles]

[Inhales deeply]

[Music continues]

[Cellphone ringing]

[Cellphone beeps]

Yeah.

NACHO: We gotta talk.

[Engine shuts off]

[Van door opens, closes]

I've got something I need to know,

and I need to know it fast.

[Sighs] What's that?

Got hit the other day.

A truck headed south got hijacked.

Someone stole a quarter million.

Now Hector's flippin'
out, lookin' for who did it.

Thing is...

I think it was you.

They left the driver
hog-tied... not a mark on him.

Anyone in the game woulda
capped him without a second thought.

But this driver? He's still breathin'.

I thought to myself, "Who's the guy

who'll rip off a couple hundred thousand

in drug money and leave a witness?

Who's the guy ‭who
won't pull the trigger?"

You.

[Sighs]

I'm not here to squeeze you.

You wanna rip off the
cartel, that's your business.

But here's the thing.

I'm picking up that
driver... Hector's orders.

We're gonna see what he knows,

and if he knows you, that's
bad for both of us.

That shouldn't concern you.

But he was in on it, right?

The driver ‭had nothing to do with it.

- Then who?
- ‭Just me.

You're telling me you did is
without someone on the inside?

Not possible.

How did you know about the truck?

How do you know about the tires?

All I can tell you is,

you guys aren't half as
smart as you think you are.

So the driver... doesn't know anything?

Not a thing. ‭He hear your voice?

- No. ‭
- Right now, Hector's

looking at the competition,

but he hears the driver
say it was some old gringo...

He didn't hear me.

He saw a guy with a
ski mask... that's it.

And you're sure of that?

Yeah.

You better be right.

Why wasn't it in the papers?

What?

The truck robbery... the
cops keeping it out of the papers?

The cops?

The cops don't know shit about it.

How's that?

Is that what this is about?

You wanted to put the cops onto Hector?

Why?

You are nothing to him.

He forgot all about you.

I haven't forgotten him.

You put me in the shit,

just 'cause you got it
in for Hector Salamanca?

Listen, you put the cops
on him, you put them on me.

Doing it for the money...
I get it, but this shit...

that's insane.

You need to calm yourself down,

and you need to take that
hand out of that pocket.

[Sighs]

Now, just so you know...

it's over.

I'm done with your boss.

[Sighs] Whatever.

Why wasn't it in the papers?

Because we cleaned it up.

How's that?

We got lucky.

After you left, ‭a
Good Samaritan came along

and said, "Oh, my God!

Oh, my God!"

He cut the driver
loose. The driver called us.

We came out, got the truck.

Made it like it never happened.

And that Good Samaritan?

Hector shot him in the face.

We buried the guy out in the desert.

Like I said...

we cleaned it up.

[Van door opens, closes]

[Engine starts]

[Van departs]

[Car door creaks shut]

[Sighs]

[Water running]

[Water stops]

JIMMY: How was your day?

KIM: You know, met with Paige and Kevin,

interviewed some paralegals...

and, uh, this.

- What about you?
- [Sighs]

Finished the commercial.

I don't want to oversell it,
but I think it might be

the greatest 60 seconds in
the history of television.

Tomorrow morning, uh,
somewhere between 11:18 and 11:35,

stop what you're doing and tune
in to "Diagnosis Murder."

I'll make a point of it.

You want to talk about this?

Not now.

Not ever.

I'm just gonna say...

you are meant for Mesa Verde,
and they are meant for you.

So... all is right with the world.

Good night.

Night.

[Sighs]

Your brother is one smart lawyer.

The smartest one I
know... I mean, no offense.

He'd make quite an adversary.

You'd better believe it.

The kind of adversary

who'd find even the
smallest crack in your defense.

Going against him, [Sighs] you'd
really want to make sure

you've got all your I's
dotted and your t's crossed.

Nothing for him to find.

[Keys jangling]

[Brakes squeal]

[Engine rumbling]

[Gearshift clicks]

[Reverse gear motor noise]

[Brakes squeal]

[Engine shuts off]

[Car door opens, closes]

[Car door opens, closes]

[Engine starts]

[Door beeps]

- Hey, how you doing?
- [Door closes]

Be with you in a minute.

[Copier beeping]

[Copiers whirring]

Remember me?

Uh... no.

[Scoffs]

I got a weird feeling you do, Lance.

Tonight is a funny night.

For some reason tonight,

I feel like I've got all the answers.

I'm feeling kind of like, uh...

like Carnac.

Do you remember when Johnny
Carson used to do Carnac?

You know, he'd give the
answers before the questions.

You know, [Sighs] Ed would
give him the envelope, yeah?

And Johnny would hold
it up to his forehead,

and, um, he'd give the
answer, like, "Leave It to Beaver."

Then Johnny'd tear open the envelope.

[Blows]

And there's the question...

"What did the dead
raccoon say in his will?"

That ring a bell?

[Whirring continues]

Before your time?

All right, well, let's cut to the chase.

Um, that guy ‭who just
walked out of here...

his name is Ernie.

I'm guessing he showed you my picture

and asked if ‭I was
in here the other night.

Now he's going to bring his
boss, who's my brother,

and he's gonna ask
you the same question...

"Did you see that guy the other night?"

Well, the answer is no.

You feel me?

You murder someone?

Nope.

Rob a bank?

No way am I that cool.

I... Sometimes, I go number
two and I don't flush, but...

this is just a thing between brothers.

And we're both lawyers, so...

Right?

I mean, ‭that's a
long and boring story.

You don't wanna know. [Sighs]

Is this gonna get me
jammed up with the cops?

My brotherer may make it
sound like that, but... no.

It's just family.

Then I feel you.

Hey, ‭tell me about the cameras.

Oh. Uh, they go to a VCR in the back.

It, uh, tapes for 12 hours and
then records over itself.

Right. So I'm on there now?

How hard would it be to erase?

Mm. I dunno.

Could be tricky...

and expensive.

Like 100 bucks expensive?

Like 200 bucks expensive.

You will go far, my young friend.

[Brakes squeal]

[Engine shuts off]

[Car door closes]

[Door beeps in distance]

Uh, good evening.

Uh, Lance, is it?

Yeah.

Lance, I'm Charles McGill.

Uh, my associate, uh,
spoke with you earlier,

and he showed you this photo.

Um, on or about ‭the
morning of the 18th,

this person was here in this shop...

is that correct?

Uh. On or about the...

The 18th, early morning.

[Sighs]

No.

Well, I'm... ‭I believe
you told my associate

that he was here and
that he made copies.

Yeah, but [Chuckles] sorry.

No.

[Insects chirping]

Yeah, that's my guy.

All right, the, uh, th-the
night of Tuesday the 17th...

leading into early Wednesday,

- early hours ‭of Wednesday the 18th...
- [Copier beeps]

Were you, in fact,
here? Can we establish that?

Uh, I mean, ‭I work
graveyard, so, yeah.

Stay strong, Lance.

Was this man here, making copies?

[Sighs]

It's like I said... I don't think so.

Well, earlier, ‭you
said that he was here.

Now you're saying that he wasn't here.

- Which is it? ‭
- Oh.

[Chuckles]

Yeah, well, when that
guy showed me the picture,

I thought, "Maybe," but now
that I'm seeing it again, uh...

Ah, sorry.

Don't know what to tell you.

- Guess I was wrong.
- [Copiers whirring]

- [Electricity humming]
- Son, ‭listen carefully.

I am an officer of the
court, investigating a felony.

So you're a cop?

N-No, I'm not. ‭I'm...
I'm... I'm, uh, I'm...

Mr. McGill, ‭maybe
we better get you home.

[Distorted] Ernesto, do not
speak to me as if I were a child.

I'm fine.

[Electricity humming]

[Insects chirping]

I am not a police officer.

I am an attorney.

And I have a moral and legal obligation

to get to the bottom of this matter.

The bottom of what?

Forgery, fraud, falsifying evidence...

[Electricity humming]

Breaking and entering.

This guy... is he okay?

There's nothing wrong with me!

Mr. McGill, maybe we could just

- take a break and...
- Ernie, shut up!

[Electricity humming]

You think about ‭the
choice you're making.

I already told you he wasn't here.

What do you want me to say?

I want you to speak the truth.

I know he was here!

I know what he did!

Tell me what you told Ernesto.

Stop trying to change your story.

Excuse me. Sorry. How do
we get this to do 11x14?

No, excuse me!

Are having a conversation here!

You got to switch it to tray four.

It's easier if I show you. Look.

♪ ♪

Dude, okay.

I-I... [Chuckling] I-I
don't want any problems here.

So, just... [Sighs] get him out of here,

or I'm gonna call the cops, okay?

Do not walk away from
me! We are not finished here!

I am done talking to you, man!

[Electricity humming loudly]

[Jimmy breathing heavily]

Call 911.

Call 911. Come on.

Synced and corrected by VitoSilans
WEB-DL fix and resync by Kk.False
<

:22,322
[Copier beeping]

[Copiers whirring]

Remember me?

Uh... no.

[Scoffs]

I got a weird feeling you do, Lance.

Tonight is a funny night.

For some reason tonight,

I feel like I've got all the answers.

I'm feeling kind of like, uh...

like Carnac.

Do you remember when Johnny
Carson used to do Carnac?

You know, he'd give the
answers before the questions.

You know, [Sighs] Ed would
give him the envelope, yeah?

And Johnny would hold
it up to his forehead,

and, um, he'd give the
answer, like, "Leave It to Beaver."

Then Johnny'd tear open the envelope.

[Blows]

And there's the question...

"What did the dead
raccoon say in his will?"

That ring a bell?

[Whirring continues]

Before your time?

All right, well, let's cut to the chase.

Um, that guy ‭who just
walked out of here...

his name is Ernie.

I'm guessing he showed you my picture

and asked if ‭I was
in here the other night.

Now he's going to bring his
boss, who's my brother,

and he's gonna ask
you the same question...

"Did you see that guy the other night?"

Well, the answer is no.

You feel me?

You murder someone?

Nope.

Rob a bank?

No way am I that cool.

I... Sometimes, I go number
two and I don't flush, but...

this is just a thing between brothers.

And we're both lawyers, so...

Right?

I mean, ‭that's a
long and boring story.

You don't wanna know. [Sighs]

Is this gonna get me
jammed up with the cops?

My brotherer may make it
sound like that, but... no.

It's just family.

Then I feel you.

Hey, ‭tell me about the cameras.

Oh. Uh, they go to a VCR in the back.

It, uh, tapes for 12 hours and
then records over itself.

Right. So I'm on there now?

How hard would it be to erase?

Mm. I dunno.

Could be tricky...

and expensive.

Like 100 bucks expensive?

Like 200 bucks expensive.

You will go far, my young friend.

[Brakes squeal]

[Engine shuts off]

[Car door closes]

[Door beeps in distance]

Uh, good evening.

Uh, Lance, is it?

Yeah.

Lance, I'm Charles McGill.

Uh, my associate, uh,
spoke with you earlier,

and he showed you this photo.

Um, on or about ‭the
morning of the 18th,

this person was here in this shop...

is that correct?

Uh. On or about the...

The 18th, early morning.

[Sighs]

No.

Well, I'm... ‭I believe
you told my associate

that he was here and
that he made copies.

Yeah, but [Chuckles] sorry.

No.

[Insects chirping]

Yeah, that's my guy.

All right, the, uh, th-the
night of Tuesday the 17th...

leading into early Wednesday,

- early hours ‭of Wednesday the 18th...
- [Copier beeps]

Were you, in fact,
here? Can we establish that?

Uh, I mean, ‭I work
graveyard, so, yeah.

Stay strong, Lance.

Was this man here, making copies?

[Sighs]

It's like I said... I don't think so.

Well, earlier, ‭you
said that he was here.

Now you're saying that he wasn't here.

- Which is it? ‭
- Oh.

[Chuckles]

Yeah, well, when that
guy showed me the picture,

I thought, "Maybe," but now
that I'm seeing it again, uh...

Ah, sorry.

Don't know what to tell you.

- Guess I was wrong.
- [Copiers whirring]

- [Electricity humming]
- Son, ‭listen carefully.

I am an officer of the
court, investigating a felony.

So you're a cop?

N-No, I'm not. ‭I'm...
I'm... I'm, uh, I'm...

Mr. McGill, ‭maybe
we better get you home.

[Distorted] Ernesto, do not
speak to me as if I were a child.

I'm fine.

[Electricity humming]

[Insects chirping]

I am not a police officer.

I am an attorney.

And I have a moral and legal obligation

to get to the bottom of this matter.

The bottom of what?

Forgery, fraud, falsifying evidence...

[Electricity humming]

Breaking and entering.

This guy... is he okay?

There's nothing wrong with me!

Mr. McGill, maybe we could just

- take a break and...
- Ernie, shut up!

874
00:47:17,445 --> 00:47:18

continuación

En un camino rural, un sedán azul está estacionado detrás de una valla publicitaria en descomposición para ocultarlo de los automovilistas que pasan. Cerca de allí, Mike Ehrmantraut , con un pasamontañas, está ocupado tendiendo una cuerda con una carretilla, alimentada a través de ganchos y atada a un par de postes de madera. Mientras tanto, vemos a Ximénez Lecerda conduciendo por la carretera en un camión de helados Regalo Helado . Mike se para detrás de un árbol, mirando ansiosamente mientras el camión aparece a la vista. A segundos de que el camión pasara la valla publicitaria, Mike tira de la cuerda y arrastra la manguera de jardín que preparó antes hacia el centro de la carretera. El camión choca contra la franja y, con las llantas reventadas, se desvía bruscamente de la carretera y se detiene en una zanja al costado de la carretera. Ximénez agarra su arma de la guantera y vislumbra el auto estacionado detrás de la valla publicitaria, cuando de repente Mike le pone una pistola en la nuca. Mike lo desarma, lo ata, le venda los ojos y lo amordaza con cinta adhesiva. Luego saca una sierra eléctrica y comienza a cortar las llantas del camión. Eventualmente encuentra $250,000 en efectivo metidos en uno de ellos. Mike carga el dinero más su trampa improvisada en el maletero de su coche y se marcha. Acto I Chuck se viste y baja las escaleras, donde Howard lo está esperando. Están programados, junto con Kevin Wachtell y Paige Novick , para comparecer ante la Junta Bancaria del Estado de Nuevo México para obtener la aprobación final para la nueva sucursal de Mesa Verde . A pesar de la oferta de Howard de asistir solo a la reunión, Chuck insiste en acompañarlo. Desde el parque al otro lado de la calle, Jimmy ve a Chuck y Howard alejarse, luego procede a correr hacia la casa de Chuck con una pila de archivos. En el juzgado, Chuck casi sufre un ataque de EMS al atravesar el detector de metales, pero logra mantener la compostura. Ante la junta, Kevin comienza a dar una declaración de apertura en apoyo de la solicitud, argumentando que la nueva sucursal de Mesa Verde es beneficiosa para todos. La discusión se interrumpe cuando un asistente entrega un archivo al comisionado de la junta. Tomado por sorpresa por la interrupción repentina, Chuck intenta aclarar las cosas y, a pedido de la junta, recita la dirección de la sucursal propuesta como 1216 Rosella Drive, la dirección falsa creada por Jimmy. Debido a la discrepancia de información en la solicitud y la presentación original, la audiencia se rompe y finalmente se pospone a seis semanas después, especialmente porque Chuck, a pesar de la insistencia de Kevin y Paige, se niega a aceptar que usó la dirección incorrecta. Cuando Chuck regresa a casa, revisa frenéticamente el papeleo, descartando los intentos de Howard de consolarlo. Cuando descubre que todos los archivos contienen la dirección '1261', se da cuenta de la complicidad de Jimmy. Esa noche, vemos a Mike sentado en su auto afuera de la heladería de Hector . Él observa a Héctor dando un berrinche, obviamente no muy feliz de que uno de sus camiones haya sido golpeado. Más tarde, Mike va a un bar con su dinero recién adquirido y, en un momento de jovialidad, decide pedir una ronda de tragos para la casa. Acto II Jimmy y Kim trabajan para arreglar el espacio de la oficina, retirando los sillones de los dentistas, tapizando los pisos y pintando las paredes. Su trabajo se interrumpe cuando Kim recibe una llamada de Paige: Mesa Verde dejó HHM y volvió a estar en manos de Kim. También le dice que Chuck está listo para entregar los archivos. Jimmy acompaña a Kim a la casa de Chuck y cuando intenta abrir la puerta, descubre que su llave no funciona. Ernesto abre la puerta y les dice que aparentemente Chuck cambió las cerraduras. Chuck está sentado en la sala de estar, meditabundo, cuando entran Jimmy y Kim. Después de despedir a Ernesto, Chuck inmediatamente acusa a Jimmy de sabotearlo. Kim se queda allí en silencio mientras Chuck presenta un resumen (sin saberlo preciso) de cómo Jimmy cometió su falsificación de los documentos de Mesa Verde para humillarlo en la audiencia. Mientras Jimmy finge ignorarlo, Chuck le da a Kim un ultimátum: debe ir con Kevin y Paige y hacer una revelación completa o correr el riesgo de ser inhabilitada. Para sorpresa de Chuck y Jimmy, Kim se pone del lado de Jimmy. Ella señala que, en primer lugar, Chuck no ha proporcionado más evidencia que "conocer a su hermano durante toda su vida", lo cual es meramente anecdótico y que es más probable que Chuck, trabajando horas y horas en una máquina de escribir a la luz de una linterna, hizo una error y ahora está tratando de culpar a Jimmy por ello. Después de que Jimmy ayudó a Kim a llevar los archivos de Mesa Verde a su auto, de repente ella lo golpea varias veces en el hombro. Resulta que ella es bastante consciente de que las afirmaciones de Chuck son ciertas. Acto III Algunos días después, Jimmy y su equipo de cámara contratado visitan una escuela primaria local , ahora acompañados por un maquillador . Una vez que termina el recreo, se instalan en el patio de recreo para filmar a Jimmy de pie frente a la bandera estadounidense ondeando. El rodaje se interrumpe cuando los administradores de la escuela salen a echarlos por entrar sin autorización, pero Jimmy puede encantarlos, afirmando que está filmando un documental sobre el compositor de "Escape (The Pina Colada Song)", Rupert Holmes, quien afirma que asistió a este mismo colegio. Mientras tanto, Mike está desayunando en Loyola's Café and Diner, leyendo la edición matutina del Albuquerque Journal con anticipación. Es alegre e inusualmente coqueto con Fran , la camarera. Sin embargo, esto dura poco cuando recibe una llamada telefónica de Nacho , quien exige que Mike se reúna con él de inmediato. Nacho relata cómo la mula de Héctor fue atropellada por un secuestrador que se llevó $250,000. Nacho manifiesta su sospecha de que Mike está detrás del golpe: el conductor fue encontrado atado de cerdo al costado de la carretera sin una sola marca en él. Nacho afirma que solo conoce a una persona que estafaría el dinero de las drogas pero dejaría un testigo con vida, solo un criminal que duda en matar: Mike. Nacho no cree posible que Mike haya descubierto el camión y la ubicación del dinero por sí mismo, pero Mike le asegura que el conductor no tuvo nada que ver con el golpe y que no lo reconocerá, ya que Mike usaba un pasamontañas y no decía una sola palabra. Mientras Nacho se prepara para irse, Mike le pregunta por qué el robo no salió en los periódicos. Nacho se da cuenta de que Mike quería que la policía encontrara el camión e iniciara una investigación al respecto, con la esperanza de vincularlo con Héctor. Nacho está furioso, ya que se vería envuelto en la investigación. Está muy cerca de apuntar con su arma a Mike, pero Mike le dice que ha terminado de tratar con Héctor. Nacho explica que un buen samaritano se acercó al conductor del camión y lo soltó. Inmediatamente llamó a Héctor, quien salió con sus hombres y limpiaron toda la escena, le dispararon al samaritano en la cara y lo enterraron en el desierto. Mike está muy inquieto por esta información. Mientras tanto, Jimmy, pasando la noche en casa de Kim, se prepara para irse a dormir. Kim le dice indirectamente a Jimmy que se asegure de haber cubierto sus huellas lo suficientemente bien como para que Chuck no encuentre evidencia sobre su participación. Jimmy se levanta y se va. Acto IV Jimmy llega a la copistería nocturna justo a tiempo para ver a Ernesto subirse a su auto y alejarse. Como es solo cuestión de tiempo antes de que Ernesto regrese con Chuck, Jimmy entra a la tienda y se acerca a Lance , y le explica lo que está pasando y cómo Chuck pronto entrará a investigar. Mientras elabora, Jimmy saca dinero de su billetera y ofrece un soborno. Lance se muestra reacio al principio, pero felizmente accede a mentir después de que Jimmy le asegura que no se meterá en problemas con la policía. Por otros $ 200, Lance además acepta borrar las imágenes de seguridad de las cámaras de vigilancia. El soborno completo, Jimmy espera en las sombras al otro lado de la calle la llegada de Chuck. Minutos después llegan él y Ernesto. Chuck, que deja su manta espacial en el auto cuando entra a la tienda, se acerca a Lance y pregunta por Jimmy. Lance finge no saber nada de él y Chuck lo llama rápidamente por mentir, ya que Lance ya le dijo a Ernesto exactamente lo contrario. Chuck se agita cada vez más a medida que se expone a las luces y al equipo de fotocopiado. Cuando, sin darse cuenta, le grita a otro cliente que busca ayuda, Lance le dice a Ernesto que saque a Chuck de la tienda ya que está causando disturbios. Finalmente, los campos electromagnéticos resultan demasiado para Chuck: se derrumba, se golpea la cabeza contra el mostrador y cae al suelo, sangrando por el cuero cabelludo. Al otro lado de la calle, un horrorizado Jimmy observa en silencio a Ernesto, Trivialidades El bar en el que se muestra a Mike tirando dinero es el mismo donde golpeó a Walter White en " Treinta y ocho desaires "